Punjabi clothing of Lahore, 1890s
In the ancient, people wore cotton clothing. The tops for both genders reached to the knees. A scarf was worn over the tops which would be draped over the left shoulder and under the right. A large sheet would be further draped over one shoulder which would hang loose towards the knees. Both sexes wore a dhoti around the waist. Modern Punjabi dress has retained this outfit but over its long history has added other forms of dress.
The had a flourishing industry in cotton during the 19th and early 20th centuries, when various kinds of coarse cotton cloths including lungi, khes, datahi, chadders, coasting, shirting, curtains, susi, tehmats, durris, towels, dusters, patkas etc. were manufactured in,,,,,,,,,, Delhi,,,,, etc. This cotton industry added to the richness of Punjabi clothing which exhibits rich and vibrant culture in its dresses. Various types of dresses are worn based on different, and ceremonies.
Along with different traditional dresses special types of are also very common.
The use of the suthan in the also called suthana in Punjabi is a survival of the ancient svasthana. Svasthana referred to a lower garment which can be described as a type of trousers. The svasthana was in use amongst the rulers in the times(322–185 BCE), amongst the ruling classes in during the between the 1st and 3rd centuries C.E, during the between 4th and 6th centuries C.E. and during King Harsha's rule during the 7th century C.E.
The Punjabi suthan is a direct variation of the svasthana which can either be loose to above the ankles and tight around the ankles, or loose to the knees and tight to the ankles. The suthan is a male and female garment but its use is particularly important in the Punjabi suthan suit whereby it is worn by women with a kurti or kurta. It is also a part of the Punjabi ghagra outfit. Other variations include the choga (robe) and suthan combination.
The Nawab Muhammad Bahawal Khan Abbasi V Bahadur (1883–1907) of Bahawalpur State in suthan punjabi dress 2018
Ancient svasthana and varbana outfit worn during, the basis of the Punjabi suthan suit
Men in British Punjab army in tight and loose Punjabi suthans 1895
Man in tight Punjabi suthan. 1896
1893. Men in Punjabi tight from knees suthan
Men of the British Punjab army in Punjabi churidar suthans 1895 Punjab Hills
The kurta with its side slits in the Punjabi kurta can be traced to the 11th century C.E. female kurtaka worn in parts of north India. The kurtaka was a short shirt, with sleeves extending from the shoulders, to the middle of the body, and had slashes on the left and the right sides. This is the same as the modern Punjabi kurta which has side slits and is worn by women in the as do men. The kurta also draws inspiration from the and the. The kurta can be worn with a salwar, suthan, tehmat,,, and jeans.
Kurta - Men's
Man in Dhoti Kurta
Man in blue kurta
The Multani kurta is crocheted using designs of (). Local prints are also used.
Punjabi phulkari kurta
A kurta is emroidered using the embroidery of the.
Punjabi bandhani kurta
tye-dyeing is popular in the area of the. Bandhani patterns are used on kurtas.
Rohi (Cholistan) woman's bandhani dress (Punjab, Pakistan)
The traditional Punjabi kurta of the is wide and falls to the knees and is cut straight. The modern version of the regional kurta is the Mukatsari kurta which originates from in. This modern Punjabi kurta is famous for its slim fitting cuts and smart fit designs. It is very popular among young politicians.
The is the traditional dress of women in the. It is made up of a kurta or kameez and a straight cut salwar. In some parts of the, men also wear the Punjabi suit.
The Punjabi suit is cut differently to the styles worn in and and is known as a "Punjabi suit" with the kameez being cut straight and flat with side slits (which is a local development as earlier forms of kameez did not have side slits). The salwar is wide at the top but fits closely to the legs and is gathered at the ankles. The Punjabi salwar is also cut straight and gathered at the ankles with a loose band reinforced with coarse material. In rural, the salwar is still called the suthan. The Punjabi suit is popular in other regions of the subcontinent, such as and. It is also popular in, where it is called the Punjabi.
Men's Punjabi salwar suit
Girls in Punjabi suits
Women in Punjabi suits
Dance, Attari-Wagah, women wearing Punjabi suits
Punjabi Tamba and Kurta
The Punjabi version of the is known as or laccha. Whereas the tehmat is of one colour and has no border, the laacha has a border and is variegated so that it has more than one colour.
Dance performers in Punjab wearing Kurta and Tehmat.
In modern usage, a short kurta is referred to as the kurti. However, traditionally, the refers to upper garments which sit above the waist without side slits, and are believed to have descended from the tunic of the (2nd century B.C.).
In the, the kurti is a short cotton coat. Another style of Punjabi kurti is a short version of the anga (robe). The kurti can be worn by men but women wear it along with the or suthan.
Women's Punjabi kurti
Another style of the Punjabi suit is the use of the salwar which hails from the region of and is known as the Pothohari salwar. The Pothohari salwar retains the wideness of the older Punjabi suthan and also has some folds. The kameez is also wide. The head scarf is traditionally large, similar to the or that was used throughout the plains of the.
The chola is a long outfit which is similar to a gown. It is worn by women and men and can reach the ankles, or fall just below the knees. The traditional chola is closed by loops and is tied on either shoulder and tends not to have side slits. The chola is the traditional alternative to other upper garments of the local region. The modern chola opens at the front below the neck, is closed with buttons and may have side slits, and is worn like a kurta. In, the woolen waist band is called a dora.
Nightwatchman 1878. man in Punjabi chola and Punjabi ghutanna pajama
Men wearing modern chola
Group of men in cholas
Saraiki Singer Patka & Cholistani Saraiki chola
A choga is a long sleeved, skirted cloak that opens to the down front and is fastened above the waist.
Multani men in choga 1851
Punjabi suthan suit
The Punjabi suthan and kurta/kurti suit is an outfit with a very long history. The Punjabi suthan is a local variation of the ancient svasthana tight fitting trousers which have been used in the since the ancient period and was worn with the tunic called varbana which was tight fitting.
The Punjabi suthan is arranged in plaits and uses large amounts of material (traditionally coloured cotton with vertical silk lines, called sussi) of up to 20 yards hanging in innumerable folds. The suthan ends at the ankles with a tight band which distinguishes the suthan from a salwar. Some versions of the Punjabi suthan tighten from the knees down to the ankles (a remnant of the svasthana). If a tight band is not used, the ends of the suthan fit closely around the ankles. The head scarf can be a wide, or modern dupatta/chunni.
Women in Punjabi suthan 1890
19th Century Punjabi suthan suit worn by the lady on the right
Punjabi woman in Punjabi suthan and short kurta 1874
Woman on right in loose Punjabi suthan suit
A Punjabi woman in Kurti and suthan visiting the Attar, the pharmacist. 1852
Punjab Hills 1895. Kulu woman in Punjabi churidar suthan. Himachal Pradesh.
The was the traditional apparel for women before the advent of the Punjabi suit.It is still worn in parts of the and the outfit comprises the head scarf, kurta/kurti, suthan/salwar and the ghagra.
The ghagra has its origin in the candataka, which had become a popular garment in the Gupta period. The candataka was a men's half trousers which eventually developed into the ghagra. The intermediate formation has been described as a shirt like dress for men and women from the neck to the thighs. Candataka continued as a popular female dress in the seventh century.
Statutes of women in kurta
Saraiki Tradition women wearing ghagra
Punjabi kurta and lehenga
The Punjabi is the Punjabi version of the shoe. Local styles include designs from Patiala, the Pothohari shoe with sharp pointed toes, and the Derawali shoe with silk embroidery and round tipped.
Punjabi jutti for men with extended curved tip, or nokh
The was developed in and is very popular with women.
School girls wearing Patiala Salwar
Saraiki shalwar suits
are Punjabi outfits which include the Bahawalpuri shalwar suit and the Multani shalwar suit.
Bahawalpuri shalwar suit
The Bahawalpuri shalwar originates from the region of. The Bahawalpuri shalwar is very wide and baggy with many voluminous folds. The material traditionally used for the Bahawalpuri shalwar and suthan is known as Sufi which is a mixture of cotton warp mixed with silk weft and gold threads running down the material. The other name for these types of mixed cloth is shuja khani. The Bahawalpuri shalwar is worn with the Bahawalpur style kameez, the Punjabi kurta or chola.
Nawab Muhammad Of Bahawalpur (1868-1900) wearing a loose Bahawalpuri shalwar.
Prince Suba Sadiq Abbasi, Bahawalpur
Nawab Sadiq Khan Fifth (died 1966) in the Bahawalpuri shalwar
Multani shalwar suit
The Multani shalwar, also known as the 'ghaire wali' or 'Saraiki ghaire wali' shalwar as it is very wide around the waist, originates from the area of the. The style is similar to the Sindhi kancha shalwar as both are derivatives of the pantaloon shalwar worn in and adopted in these locations during the 7th century A.D. The Multani shalwar is very wide, baggy, full and has folds like the Punjabi suthan. The upper garments include the Punjabi kameez and the chola of the.
Cholistani Saraiki chola
Fabric prints and embroidery
Block printing on cotton and other materials is popular in which utilises local prints. The other type of prints are known as chit Multani or Multani chint., and are known for its tie-dying material which is popular in this region.
The emroidery styles of the include the styles of Multani embroidery which features kalabatun patterns using thin wires. This type of embroidery is also common in the rest of the. Kalabatan surkh involves using gold wires on orange coloured and red silk. Kalabatan safed involves using silver wires on white material. There are two kinds of gold embroidery, one of a solid and rich kind called kar-chob and the other called tila-kar or kar-chikan utilising gold thread. The former is used for carpets and saddle cloths whereas the latter is used for dresses. The also uses mukesh embroidery: mukesh bati-hui, twisted tinsel, mukesh gokru, flattened gold wire for embroidery of a heavy kind, and waved mukesh, made by crimping mukesh batihui with iron tongs.
and are known for embroidery using white, silver and gold threads on clothes such as chogas and waistcoats (phatuhi). is known for the patterns embroidered on its handkerchiefs known as Kangra rumal. The designs include representations of religious stories. These rumals are also embroidered in.
Chamba Rumal with Scenes of Gopis Adoring Krishna
Head Cloth (Phulkari)
Chamba Rumal with Scenes of Sita and Hanuman
Chamba Rumal with Krishna and Radha
The is the traditional Punjabi embroidery used to embroider shawls and head scarfs in the.
Chaup and subar
The two styles of chaup and subar are worn by brides. The chaup is embroidered on both sides of the cloth. Only the borders and the four edges of the cloth are embroidered in fine embroidery. The subar has a central motif and four motifs on the corners.
The til (sesame) patra has decorative embroidery which is spread out as if spreading sesame seeds. The term til patra means 'the sprinkling of seeds'.
The neelak phulkari is made of a black or red background with yellow or bright red embroidery. The colour of the phulkari is mixed with metals.
Originating in, the ghoonghat bagh is heavily embroidered around the centre on the edge to be worn over the head. The embroidered centre is then pulled over the face so as to form an embroidered veil.
The chhaamas phulkari hails from,, and Delhi. The chaamas phulkari incorporates mirrors which are sewn into the cloth with yellow, grey or blue thread.
Phulkari of south and southwestern Punjab region
The phulkari of south and southwestern, has wide edges upon which designs of animals and birds are embroidered. As is the case of the chaup, the edges are embroidered on both sides of the cloth. South and southwestern includes the south, south and south west of.
The senchi phulkari is popular in and around. The senchi phulkai incorporates designs of birds, jewellery such as bracelets, earrings, rings and necklaces.
'Phulkari' (bridal shawl), Punjab, early 20th century, cotton, silk and embroidery, Honolulu Academy of Arts
Phulkari from Punjab, India, 20th century, khadi, silk, plain weave, embroidery, Honolulu Museum of Art
Bridal shawl (phulkari) from Punjab, khadi (hand-spun, hand-woven cotton), silk, plain weave, embroidery, Honolulu Museum of Art
Luanchari is a full-dress made of two parts stitched together: the upper part is the choli and the lower is the lehanga. It is traditional garment worn by Gaddis of.
Pahari painting depicting women in Luanchari. ca.1760
Himachal woman in Luanchari
The Punjabi ghuttana was popular with women and men in the, a type of pajamma which is shorter than the full length pajamma, and is tight and ends at the calf. Its variation is still worn in.
Men and boys wearing a knee length variation of the Punjabi ghuttana and Dogri kurta. The full suthan is tight from the knees to the ankles
The use of the is traditionally associated with the northern regions of the sub-continent. Although there is no consensus as to its origins, the churidar pajamma was adopted by the former princely families. In the however, its use was amongst the general population.
For people of the, the pajamma which forms part of the traditional attire of men and women in is a combination of the tight suthan of the, the churidar suthan of the Punjab's hill area, and the traditional Dogri suthan which ends in loose bangles (and is more of a loose pajamma as the suthan has to have a tight band at the ankles). Accordingly, the churidar pajamma is believed to be derived from the suthan. The is popular all over the sub-continent and was developed in the, and is associated with the Punjab. The churidar pajama can be of any colour but traditionally is of sussi (cotton) material, in blue with vertical stripes.
The churidar pajama is also known as the (full length) ghuttana. When soldiers from travelled to the British Punjab province, they saw the long ghuttana pajama and adopted its use in during the 19th century.
Ancient form of salwar Kameez worn during.
Cotton churidar worn with silk side-opening kurta and mojari shoes
Portrait of Kashmiri children wearing churidar pyjamas circa 1890
Cotton churidar with cotton kurta and
19th century Indian women wearing transparent skirts over churidar pants
Vita in Bangladesh wearing Churdidar
Jodh Singh Ramgarhia. 19th century.
The was worn by men in the during the. The phrase "jora jama" refers to the clothes given by the maternal uncle to the groom, which points to the jama being part of Punjabi clothing (although grooms do not wear the jama now). A local style of shawl called the jamawar which was striped was used as a gown.
The commander of the Imperial Guard of Delhi
Ghulam Murtaza Khan The Delhi Darbar of Akbar II
Raja Ravi Varma, Maharaja Fateh Singh
Akbar and Tansen visit Haridas
Officer of the Mughal Army, c.1585 (colour litho)
The anga (robe) also known as an angarkha and peshwaj) is similar to a loose coat and wadded with cotton. The anga can be worn by men and women. When worn by men, it falls to below the knees, is a loose tunic and is fastened either to the right of the left. An angarkha typically does not have front buttons. Grooms traditionally wore the angarkha which has now been superseded by the achkan. The anga worn by women is a long robe.
Ranjit Singh Equestrian in Saffron Robe
A watercolor portrait of Ranjit Singh who wore the angarkha during his reign.
The angarkhi of is sewen tight at the torso, but below the waist it has an open fall like the modern skirt. The angarkhi is tied at the waist with a sash.
Men traditionally wear the turban. In the past, large turbans were worn such as the type in which could be up to 40 feet long. Now the turbans are shorter of various designs.
The saluka is a tight fitting waistcoat which was worn in and the. It is also worn in.
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